Susan Milan discovered the charming Popp Sonatinas Op. 388 while researching 19th century flute repertoire in the British Museum Library. These beautifully crafted works are all without exception a delight to play and suitable for a broad level of player. They are a lovely example of Classical style and detailed in a way that makes them a joy to perform and as they are less than 10 minutes long they are a perfect addition to a short recital programme. Wilhelm Popp studied with the great Louis Drouet in the 1850s and wrote many charming works for the flute thisamong them. Susan Milan acclaimed soloist and teacher has edited this elegant edition. Susan Milan writes: 'I discovered the charming Popp Sonatinas Op. 388 while researching 19th century flute repertoire in the British Museum Library. They were first published in Hamburg in 1888. These beautifully crafted works are all without exception a delight to play and suitable for a broad level of player. They are a lovely example of Classical style and detailed in a way that makes them a joy to perform and as they are less than 10 minutes long they are a perfect addition to a short recital programme. In editing the Sonatinas I have tidied some of the articulation making the flute part consistent. Discrepancies between markings in the flute and piano part have been corrected. I have occasionally added some slurs where I feel the lyrical nature of a section might be enhanced shown as 'dotted' slurs. Where staccati appear to be missing I have added them. I have not on the whole added expression marks. I have not changed or removed original markings.'

Susan Milan discovered the charming Popp Sonatinas Op. 388 while researching 19th century flute repertoire in the British Museum Library. These beautifully crafted works are all without exception a delight to play and suitable for a broad level of player. They are a lovely example of Classical style and detailed in a way that makes them a joy to perform and as they are less than 10 minutes long they are a perfect addition to a short recital programme.Wilhelm Popp studied with the great Louis Drouet in the 1850s and wrote many charming works for the flute this among them. Susan Milan acclaimed soloist and teacher has edited this elegant edition.SusanMilan writes....'I discovered the charming Popp Sonatinas Op. 388 while researching 19th century flute repertoire in the British Museum Library. They were first published in Hamburg in 1888. These beautifully crafted works are all without exception a delight to play and suitable for a broad level of player. They are a lovely example of Classical style and detailed in a way that makes them a joy to perform and as they are less than 10 minutes long they are a perfect addition to a short recital programme. In editing the Sonatinas I have tidied some of the articulation making the flute part consistent. Discrepancies between markings in the flute and piano part have been corrected. I have occasionally added some slurs where I feel the lyrical nature of a section might be enhanced shown as 'dotted' slurs. Where staccati appear to be missing I have added them. I have not on the whole added expression marks. I have not changed or removed original markings.'

for flute and piano- Susan Milan discovered the charming Popp Sonatinas Op. 388 while researching 19th century Flute repertoire in the British Museum Library. These beautifully crafted works are all without exception a delight to play and suitable for a broad level of player. They are a lovely example of Classical style and detailed in a way that makes them a joy to perform and as they are less than 10 minutes long they are a perfect addition to a short recital programme. Wilhelm Popp studied with the great Louis Drouet in the 1850s and wrote many charming works forthe Flute this among them. Susan Milan acclaimed soloist and teacher has edited this elegant edition. Replaces the old edition HE35 from Hunt Edition. First published in Hamburg in 1888. In editing the Sonatinas Susan Milan has tidied some of the articulation making the Flute part consistent. Discrepancies between markings in the Flute and Piano part have been corrected. She has occasionally added some slurs where the lyrical nature of a section might be enhanced and staccati have been added where it appears to have been missing. On the whole expression marks have not been added or changed original markings.

7 European Salon Pieces. Par POPP WILHELM. In the 19th Century nationalist themes came into fashion. Composers drew on songs and dances from their native lands, working them into paraphrased adaptations, pot pourri arrangements and sets of variations or incorporating folk elements from various cultures in their compositions. Flautist Wilhelm Popp (1828-1902), who wrote music for his instrument at every level of difficulty, also took up this popular trend. In this collection seven of his ‘easily playable’ compositions have been chosen with musical links to different European countries. Here again Popp shows his ability to distil the essence from musical styles and fashions of his time, setting lyrical and virtuoso passages so well for the instrument that their effectiveness far outweighs any difficulties. The popularity of his pieces for tuition purposes, school concerts or youth music competitions remains undiminished to this day. This edition is essentially based on the first printed versions of these pieces – with just a small number of printing errors and inconsistencies corrected without comment./ Répertoire / Flûte Traversière et Piano

Compositeur : Wilhelm Popp Titre : Petit vaurien Instrument : Flûte et piano Restitution : Philippe Lesgourgues Niveau : 2ème cycle Durée : 3'15 Date parution : septembre 2012

Le recueil contient sept ?uvres impactantes de Wilhelm Popp, d?un niveau facile à intermédiaire, qui se réfèrent musicalement à différents pays d?Europe. La popularité de ces pièces pour les cours, les concerts ou les concours est à ce jour intacte.Légende serbe, op. 469/4Sérénade italienne, op. 462/3Danse Espagnole, op. 437/4Idylle suedoise, op. 471/1Soirée russe, op. 469/6Danse hongroise, op. 308/1Romance sans paroles-au style folklorique allemand, op. 471/5 / Flûte traversière / Schott

Die Spanischen Tänze op.12 wurden ursprünglich für vierhändiges Klavier geschrieben, nach dem großen Erfolg jedoch auch für andere Besetzungen bearbeitet, unter anderem von Wilhelm Popp für Flöte und Klavier. Leider verzichtete Popp (aus nicht nachvollziehbaren Gründen) auf eine Bearbeitung des außerordentlich brillanten 3.Tanzes. Dieser wurde hier zusammen mit den beiden ersten Tänzen neu für Flöte und Klavier bearbeitet, wobei der 3. Tanz aus Rücksicht auf ein ausgewogenes spieltechnisches Niveau aller hier bearbeiteten Tänze von A-Dur nach G-Dur transponiert wurde. So wird die Flötenliteratur mit diesen wunderbaren Tänzen wieder um eine Kostbarkeit bereichert.

Par POPP WILHELM. 3'15 / Niveau : 2ème Cycle / Répertoire / Flûte Traversière et Piano

Daily Studies. Par POPP WILHELM. Daily Studies/ Répertoire / Flûte Traversière

Für Flöte Und Klavier. Par POPP WILHELM. / Date parution : 1905-07-09/ Répertoire / Flûte Traversière et Piano

Par POPP WILHELM. 2'30 / Niveau : 2ème Cycle / Répertoire / Flûte Traversière et Piano